Tag Archive: Contemporary Christian Music

Rock Music is Evil

bob gray jacksonville florida preaching against elvis

Baptist pastor Bob Gray preaching against Elvis, 1956. Gray would later be accused of decades long sexual misconduct. Gray was a serial pedophile. He died before his trial.

Rock music has always been a problem for Evangelicals. Rock music is generally considered worldly, sinful, and satanic, and parents are told to keep their children away from its influences. Rock music is considered a gateway to a world filled with illicit sex, drugs, and satanism. Recently, a homeschooling mom by the name of Leslie published an article on her blog titled, The Truth About Rock Music. Here is some of what Leslie had to say:

Rock music has always had a satanic influence. It does not really take all that much research to figure that out. Just google the Beatles and Hinduism and you will see it almost immediately. They were very open about their Hindu activity and even secular websites confirm this. But, as wild as the 60s were, the society wasn’t quite ready for outright false religion and songs promoting open sex and drug use and so many of their song lyrics had double meanings and hidden agendas.

Of course, all the changes in the last 50 years have made hidden agendas and double meanings unnecessary. This has happened through a very systematic hardening of our consciences. And so evil and ungodly lyrics have been eagerly accepted by a fan base that doesn’t pay any attention at all to what they are filling their brains with.

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I then moved on to the artists themselves. Who were these people that were coming into our homes and cars on a regular basis through their music?

With the 80s influences of Madonna and Micheal (sic) Jackson– who were perhaps some of the first openly satanic artists to be played on the radio– the way was paved for many more to come. Recent rock stars such as Beyonce, Kesha, Katy Perry, Lady Gaga, Jay Z, Eminem, and Nicky (sic) Manaj (sic) (just to name a few), have filled the American culture with an abundance of ungodly, crude, and sexual lyrics and, even worse, very graphic music videos. This, of course, I suspected before I started doing my research. What rather stunned me however was the plethora of satanic symbols and images. As I studied, I found that many of these artists claim to have sold their soul to the devil or to be possessed by demons. This was by their own admission, recorded on video or found in reputable sources.

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I write it here because I think most of us are absolutely clueless regarding the danger this music presents to our spiritual health. We just allow this music to play in our homes and in our cars and in the ears of our kids–never giving it a second thought. The tunes are catchy and for some reason that seems to be all we need for it to get our seal of approval.

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But fast forward my life to just a few weeks ago when I found myself up to my eyeballs in the lewd depravity of the rock music industry. I just can’t even begin to describe how awful it all is. And maybe worst of all–how precious and beautiful young girls and boys, many of them Disney stars as youngsters, are morphed into larger-than-life rock musicians that promote everything God abhors and how so many of their fans–usually tweens and teens– just follow them down into the dark pit.

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If this music is something that beckons you or someone you love, may I encourage you to do your own research? I think you will be more than a little alarmed and shocked at what you will find out. And may we pray for deliverance of ourselves and our families from the evil influence of this demonic music.

Leslie seems shocked to find out that rock music is filled with references to sex, drugs, and darkness. These elements have always been central themes of rock music. Leslie goes on to say that rock music is satanic and many musicians have sold their souls to the Devil or are possessed by demons. For people such as Leslie, such things are frightening. However, if there are no devil or demons, then the only thing that matters is the lyrics. While I agree with Leslie about the lyrical content of many rock songs, I think she greatly exaggerates the effect these lyrics have on people. While it is certainly appropriate to regulate what younger children see and hear, by the time children reach their teenage years they should be able to handle the lyrics Leslie finds so objectionable.

Those of us raised in the Independent Fundamentalist Baptist (IFB) church movement vividly remember sermons about the evils of rock music. Sermons on sex, drugs, and rock and roll were common. Many IFB preachers would recite lyrics from popular songs, showing, in their minds, the satanic origin of rock music. Some preachers would warn parishioners of the dangers of the mesmerizing “jungle beat” in rock music. Laden with subtle racist overtones, these preachers told teenagers and parents that rock music had a hypnotizing effect. Once under its influence, people would do horrible, vile things.

bob larson rock music

In the 1960s and 1970s, men such as Bob Larson  traveled the country giving seminars on the evils of rock music. Larson purportedly had been a rock musician. He wrote several books about the evils of rock music: Rock and Roll: The Devil’s Diversion, Hippies, Hindus and Rock & Roll, The Day the Music Died, Larson’s Book of Rock. In his 1972 book, The Day the Music Died, Larson had this to say about rock music and its effect on listeners:

The basic rock rhythm is syncopation. …. this explains the erotic body movements of dancers to the accompaniment of the syncopated or pulsating rock beat. (page 15)

The origin of this Negro influence was, of course Africa.. These innovations were connected with heathen tribal and voodoo rites. The native dances to incessant, pulsating, syncopated rhythms until he enters a state of hypnotic monotony and loses active control over his conscious mind. The throb of the beat from the drums brings his mind to a state when the voodoo, which Christian missionaries know to be a demon, can enter him. This power then takes control of the dancer, usually resulting in sexual atrocities. Is there a legitimate connection between theses religious rites and today’s modern dances? (page 179)

I was aware of the connection between demons and dancing even before my conversion. I speak from experience as to the effect rock rhythms have on the mind. …As a minister, I know what it is like to feel the unction of the Holy Spirit. As a rock musician, I knew what it meant to feel the counterfeit anointing of Satan. I am not alone in my experimental knowledge of the influence of demonic powers present in rock music. (Page 181)

In his 1967 book, Rock and Roll: The Devil’s Diversion, Larson wrote:

There is no difference between the repetitive movements of witch doctors and tribal dancers and the dances of American teenagers. The same coarse bodily motions which lead such dancers into a state of uncontrollable frenzy are present in modern dances. It is only logical, then, that here must also be a correlation in the potentiality of demons gaining possessive control of a person through the medium of the beat. This is not entirely my own theory. It is the message that missionaries have urged me to bring to the American public. (Page 182)

On Friday and Saturday nights across America the devil is gaining demonic control over thousands of teenage lives. It is possible that any person who has danced for substantial lengths of time may have come under the oppressive, obsessive, or possessive influence of demons. Knowing this, churches and clergymen need to shed their cloak of compromise and firmly denounce rock dances. Dancing is no longer an artistic form of expression ( if it ever was) but a subtle instrument of Satan to morally and spiritually destroy youth. (page 184)

Evangelical preachers also began alerting church members about the subliminal messages (backmasking) rock groups were putting on their albums. Supposedly, if rock records were played backward, people would hear satanic messages. Led Zepplin’s Stairway to Heaven was supposedly one such song. When played forward the song said:

If there’s a bustle in your hedgerow
Don’t be alarmed now
It’s just a spring clean for the May Queen
Yes there are two paths you can go by
but in the long run
There’s still time to change the road you’re on

Backwards, the words above were supposedly turned into:

Oh here’s to my sweet Satan.
The one whose little path would make me sad, whose power is Satan.
He will give those with him 666.
There was a little toolshed where he made us suffer, sad Satan.

According to Wikipedia:

In a January 1982 television program on the Trinity Broadcasting Network hosted by Paul Crouch, it was claimed that hidden messages were contained in many popular rock songs through a technique called backward masking. One example of such hidden messages that was prominently cited was in “Stairway to Heaven…

Following the claims made in the television program, California assemblyman Phil Wyman proposed a state law that would require warning labels on records containing backward masking. In April 1982, the Consumer Protection and Toxic Materials Committee of the California State Assembly held a hearing on backward masking in popular music, during which “Stairway to Heaven” was played backward. During the hearing, William Yarroll, a self-described “neuroscientific researcher,” claimed that backward messages could be deciphered by the human brain.

As with the satanic ritual abuse hysteria years later, the backmasking scare quickly faded into the pages of history. The last preacher I remember saying something about backmasking told church members that if you played the theme song of the TV show Mr. Ed backwards it contained a satanic message.

Leslie, the homeschooling mom I quoted at the start, will learn, as did the preachers of my youth, that all the preaching in the world won’t keep teenagers from listening to the popular music of the day. While parents might be able to keep them from listening to rock music at home, once they go to school they will be exposed to the music of their non-Evangelical peers. Once teenagers start driving or riding in automobiles with friends, the radio will be tuned to the local rock station. Unless parents are willing to lock their teenagers in their rooms, allow them no internet access, and remove radios from automobiles, it is impossible to keep teenagers from listening to rock music.

Polly and I grew up in homes where rock music was verboten. Despite these prohibitions, we somehow learned the lyrics of the popular songs of our day. In the mid-1970s, we attended Midwestern Baptist College, a strict Fundamentalist institution that banned students from listening to ANY secular music (except classical). Students were not permitted to play anything other than religious music in their dorm rooms. However, once in the safety of their automobiles, students turned on radios and listened to the rock, pop, and country music.

One spring day, Polly was sitting in the Midwestern parking lot listening to the radio. I walked from the dormitory out to her car to see what she was up to. Playing on the radio was Afternoon Delight, by Starland Vocal Band. Polly was singing away without a care in the world. I laughed and then I asked her if she knew what the song was about. She gave me an innocent (and clueless) interpretation of the lyrics. When I told her what the song was really about, she didn’t believe me. To this day, we joke about this story. Such is life in the IFB bubble. My favorite song, by the way, was December, 1963 (Oh What a Night) by the Four Seasons.

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These days, many Evangelicals have taken a different approach to combating the evils of secular rock music. Instead of outright banning rock music — an approach that has proved to be a dismal failure — Evangelicals promote what is called the replacement theory. If church teenagers are drawn to secular bands that have what Evangelical consider bad, immoral, or satanic lyrics, churches and parents suggest that they listen to a Christian alternative. This approach has, for the most part, also failed to keep Evangelical teenagers from listening to secular rock music. First, many of the Christian alternatives are cheap rip-offs of secular bands. Bad music is bad music regardless of the lyrics. Second, many Evangelical teenagers quickly embraced what is now called contemporary Christian music (CCM). However, instead of abandoning their secular favorites, teenagers just added the CCM artists to the mix. Some Christian bands, such as P.O.D.Skillet, and Switchfoot, have been huge successes, both in the secular rock market and the CCM market.

Here is a recent video by P.O.D..

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Here is a video by Skillet.

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Some Evangelical churches have given up trying to keep church teenagers from listening to rock music. This is understandable, in part, because many Evangelical churches are now using rock music in their worship services. In the 1960s, few churches had drums. But today? Many churches have full-blown bands, complete with percussion sections.

If you are not familiar with what is going on with music in many Evangelical churches, I think the following video clip from a Hillsong New York worship service will prove instructive.

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Evangelicals, to some degree or the other, have been waging war against rock music for 60 years. Based on the videos above, I think I can safely say that rock music has won the war. Like all battles waged against popular culture, prohibition only makes what has been deemed sinful more enticing and popular. Teenagers will always be drawn to that which parents, pastors, and other authority figures say they can’t have. Teenagers are built to try the forbidden and test boundaries. We all did it, and here is the lesson that adults need to learn: we survived. Instead of treating teenagers like toddlers, how about teaching them to make responsible choices? Surely by now we have learned that telling teenagers to Just Say No doesn’t work. It is far better to equip them with the requisite skills necessary to navigate the world. Yes, there are real dangers they will face, but rock music is not one of them. I seriously doubt that there are many teenagers whose lives are destroyed because they listened to songs that have sexual or substance abuse references. I am sure there are some who take the lyrics to heart and make bad decisions, but most teenagers, as sixty years of history shows, can listen to rock music without being adversely affected.

Note

Bob Larson book quotes found here.

For more articles than you will ever want to read on the evils of rock music, please check out the Jesus is Savior website, operated by a disciple of the late Jack Hyles.

The Christian Music Business

david meeceI am sure someone will object to the title of this post and say, Christian music is not a business, it is a ministry, it’s ALL ABOUT J-E-S-U-S!  It’s a ministry when the musician is willing to go anywhere for a love offering. It is a business when they have contracts, riders,  and demand a certain amount of money. For the most part, the Christian music business stopped being about Jesus a long time ago.

Years ago, I contacted the booking agent for the contemporary Christian group FFH about holding a concert at our church. I had checked their calendar and noticed that they had a few off days and would be near our church in West Unity, so I thought I would see if they were willing to come and sing at our church.

Not a chance. The booking agent told me that they had a $5,000 minimum. I was astounded by this. I thought, if I promoted the concert right we would likely take in about $2,000. Surely this would be enough money for FFH, especially since it was on a weekday. The booking agent proceeded to lecture me on the Christian music business, about how groups like FFH only have a limited window of opportunity to make their money. He then asked me how would I like to preach for just a love offering. I then got to school him about how I had spent my entire life preaching with no monetary expectation in return.

All told, I preached for 33 years. Not one time did I say to a church or to someone who wanted me to hold a meeting, I must have X amount of dollars. I never said no, and I preached more than one meeting over the years where it cost me more to drive back and forth to the meeting than I received in the love offering. This was never a problem for me, and according to some of my friends and family, I SHOULD have made money more of an issue.

I asked the booking agent for FFH to take my request to the group. He told me that he would not do this. Why? Because, he said, they would likely say Yes! If I let them, they would sing for free.

Over the years, I booked many musicians to come sing  at the church I was pastoring at the time. As a result, I learned a lot about the “business” side of Christian music. I met a lot of wonderful people who were willing to come and sing for little more than a promise. As a small church pastor, I did my best to promote the concerts and the church usually supplemented the love offering to make sure the musician (s) were given a decent offering.

In the late 1990’s, I decided to use concerts as a way to promote the church. I thought if outside people attended a concert that they might be interested in our church and start attending. While the concerts did draw large crowds, not one person ever became a part of our church as a result of attending a concert.

sierraI put on a concert at Hilltop High School in West Unity, Ohio featuring the group contemporary Christian group Sierra. I decided to sell tickets for the event, advertised it heavily, and sold 400 tickets, at 8.00 a piece. Sierra charged us $4,000 plus expenses to come sing for us. All told, the church lost $2,000.00 on the concert.

Another time, I put on a Southern Gospel concert at Hilltop Middle School, featuring The Sojourners Quartet from Kentucky and a local group called The Overcomer’s. This concert was well attended by what I call the blue-hair crowd. They loved the concert so much that their love worked out to about $2.00 a head when the $400 love offering was counted. Again, the church lost a substantial amount of money. I quickly learned that elderly people were of the not a bad show for a buck’ giving mindset.

I pastored Grace Baptist Church, renamed  Our Father’s House, in West Unity for seven years. In addition to the above concerts, the following Christian groups came to our church to sing:

David Meece

Annie Herring (formerly of Second Chapter of Acts)

The Mast Brothers

The Toney Brothers

NIA

along with a handful of local groups.

The Mast Brothers, a southern gospel group, were the easiest to work with and Annie Herring, by far, was the hardest. When Herring came to our church, it was quite evident that she was put out at having to sing at such a small venue, even though there were more than a hundred people crowded into our little storefront church. David Meece? Eclectic, strange, and he borrowed a Bible of mine and permanently highlighted and underlined verses in it. He didn’t ask me if he could do this, and had he asked me I would have said no. As a result, I had to buy a new Bible.

I pastored Somerset Baptist Church in SE Ohio for 11 years. During this time, a number of southern gospel groups came to the church and sang. One group, The Songsmen Quartet, a local group from the Lancaster area, was a church favorite, holding at least one concert a year for many years. The group broke up (and may have later started up with different people) after two of the group members got friendly with each other and committed adultery.

robbie hinerMy favorite concert while at Somerset Baptist Church took place in the mid-1980’s when Robbie Hiner came to sing for us. At the time, Hiner worked for Jerry Falwell at Thomas Road Baptist Church in Lynchburg, Virginia. Hiner was a regular on Falwell’s nationwide TV program, The Old Time Gospel Hour.

Several hundred people from all over SE Ohio, came to hear Hiner sing. The building was packed. Hiner made no demands or requests, sat down at our old, beat up church piano, and just started singing. In between songs, he shared funny stories, and from start to finish, this was the best Christian concert I ever attended. After the concert, Hiner hopped into his car, I believe it was an old, high mile Mercedes, and drove on down the road.

There is a certain group of Christians I call diesel sniffers. These kind of people don’t support a local church, and they travel from church to church listening to their favorite  Christian singing groups. They throw a few dollars in the plate and walk out the door of the church blessed! They subscribe to the Singing News so they can find out when their favorite groups with be near where they live. These kind of people wouldn’t walk across the street to share their faith, but they would drive two hours to hear their favorite quartet sing.

There is a lot of fakery in the Christian music business. I suppose this inevitable due to the fact that they travel from church to church, venue to venue. They develop a routine, a shtick. Where they get into trouble is when their routine or shtick extends to their spirituality or their emotional responses. Years ago, I went with a church member to hear The McKamey’s sing.  There was one song where one of the female singers kicked off her shoes and had an emotional, supposedly spiritual, outburst. I thought, God just touched her heart. A week later, the church member and I heard The McKamey’s again at a huge gospel sing. Same song, and at the exact same point in the song, the female singer kicked off her shoes and had an emotional, supposedly spiritual, outburst. The woman wasn’t being “blessed.” Her display was rehearsed and meant to elicit an emotional response from the audience.  Reason? Stirred emotions lead to open wallets.  I saw this kind of rehearsed, fake, insincere, emotional manipulation countless times at southern gospel, contemporary Christian, and Christian rock concerts. They used the same tactics and manipulations that I did as a pastor. Sincere? Perhaps, but it is still emotional manipulation and it often results in people doing things they wouldn’t normally do, things like giving large sums of money, running the aisles. going to the altar, etc.

kingsmen quartet

Over the years, I talked to several people who were Christian music industry insiders. One man traveled for a time with The Kingsmen Quartet. He told me that I would be shocked if I knew what really went on behind the scenes at southern gospel concerts; from musicians getting liquored up before taking the stage, to Christian groupies willing to bed their favorite gospel singer. These concerts are so man-centered, hey look at me, I am singing for Jesus, that it should come as no surprise that people got caught up in all kinds of illicit behavior. In other words, they were human.

Late into my time as a pastor and as a Christian, I realized that Christian concerts were entertainment. As much as the musicians tried to sell me on their music being a ministry, I realized it was just religious oriented entertainment, no different from the Darius Rucker concert Polly and I attended last year. Once I came to this conclusion, I was free to just sit back and enjoy!

Someone is  going to ask who my favorite Christian groups were/are. Here is my Top Eleven List:

and Steve Camp before he turned into a first-rate, blowhard, asshole Calvinist.

This list, BTW, is a great way to view my path through Christianity, from fundamentalism to the questions and doubts of musicians like Derrick Webb. I still listen to Christian music from time to time. I don’t believe a word of it, but I do enjoy it, a relic from my past. Polly? Won’t touch the stuff…hates it! I usually wait until she is at work to play it.